White Room: Moth Club, Hackney, London 16.03.2018

White Room performed to a sold-out crowd on Friday night at London’s Moth Club in Hackney.

The band have climbed the rungs of the musical ladder, progressively and consistently. Supporting the likes of Paul Weller, last year, the band have won fans over with their compelling live performances.

The Brighton-based five-piece are, Jake Smallwood (vocals), Jacob Newman (guitar), Tristan Sava (guitar and keys), Josie McNamara (bass) and Hen Sava (drums). The band’s musical influences include The Beatles, The Doors, The Verve and Tame Impala. Their music is best described as extremely energetic, psychedelic- pop with a familiar rock and roll backbone. Hard to pigeon-hole because their songs are so versatile, sometimes sounding reminiscent of The Beatles (Sgt. Pepper’s…), The Yardbirds and even The Stone Roses.

The Moth Club, a venue in the heart of Hackney with a capacity of 300, was packed to the rafters at Friday night’s gig. Support was from Kipp Boucher (acoustic) Afghan Sand Gang, from Manchester and local band, Hotel Lux.

White Room took to the stage at 21:45 setting the theme for the evening with the, happy, singalong track Tomorrow Always Knew. Devoted fans at the front immediately sang back the chorus towards the stage “So let this sunrise open your eyes, into tomorrow, seasons watching them change, as we rearrange the future to follow”. Jake Smallwood was the iconic frontman, energetic, charismatic and his voice was crystal clear. He engaged with the crowd, while he flailed around, waving the mic while shaking a tambourine. His vocal range was outstanding during the song Circles as he sang the lyrics “I can show you how to make sense of anything. Take my hand right now and we’ll drive into nothing but everything”. Bass-player, Josie, provided beautiful, complimentary harmonies throughout. The gig had an ecstatic atmosphere as the crowd danced and sang along to the songs. The band looked extremely proud and happy to be sharing and performing their music with everyone and even included three new songs. Crowd-pleasers were undoubtedly, Tomorrow Always Knew, Circles, Stole the I.V. and The Blue. They finished a one-hour set with their current single The Blue, which has recently been added to John Kennedy (Radio X) X-posure list. Singer, Jake majestically elevated guitarist, Tristian up on his shoulders as the song drew to a close. A happy crowd slowly departed the venue which concluded a successful debut London headline for White Room.

Set List: Tomorrow Always Knew, Stole the I.V, Shoot, Twisted Celebration, Cannibal Song, Red and White Stripes, Circles, Take Me Away, Cable-built Dreamland, You’ll See, The Blue.

If you missed them this time around, you can catch White Room at ‘Live at Leeds’ on 5th May or ‘Liverpool Sound City’ on 6th May.

Their debut EP Fizzy Liquid (released in 2015) and recent, double EP, Eight (released in 2017) are available to buy from http://www.whiteroomhq.com

White Room: Stole The IV (official video)

White Room: Circles at Sofar London

Until the next adventure…


Fizzy Blood: “One Hundred Needles To A Thread”: Camden Assembly 28/02/2018

MOV_2133 (3)I first saw Fizzy Blood in April 2017 when they played 2Q Festival in Derby. The festival was located across several venues, so an organised itinerary was essential. They were playing in a unique venue, The Silk Museum, and I wanted to see them purely on the strength of their band name alone; they didn’t disappoint.

Since then, I have followed them from a distance. Watching with interest as they have increased in popularity and their confidence and music has developed steadily and consistently. From the time they formed in 2014, they have supported bands such as, Dinosaur Pile-Up, While She Sleeps and most recently, Spring King. They have already performed at numerous festivals including, Download, Reading & Leeds and SXSW. Quite an achievement for a new band.

The Leeds-based five-piece are: Benji Inkley (lead vocals and guitar), Paul Howells (guitar and vocals), Ciaran Scanlon (bass guitar), Tim Malkin (keys, guitar and vocals) and Jake Greenway (drums and percussion). Their music style has a solid rock ‘n’ roll structure but with additional intricate layers given them an edgier depth. Initially you are lulled into a false sense of security by the familiar retro sound, with catchy, singalong melodies, before been thrown off balance as each song explodes into a raucous crescendo. Their musical influences are varied, ranging from Iggy Pop and Arctic Monkeys to Frank Ocean. Heavier influences such as Queens of the Stone Age are recognisable in some of their songs, for instance, I’m No Good and Animals.

I managed to catch them at Camden Assembly, London, which concluded their short run of debut headline dates. Camden Assembly, is a bar located on the corner of Chalk Farm Road and Ferdinand Street with a live music room upstairs. It holds a capacity of 200, incorporating the best sound quality I have heard in a small venue in London, so far. Around 200 light bulbs and Fizzy Blood’s banner formed the backdrop to the compact stage. Support was from local band, Mantra and Forever Cult from Leeds.

Set List: I’m No Good, CFO, ADHD, Haunted, Patience, Queen Of Hearts, Summer of Luv, Pink Magic, Black Sheep, Pawn, Animals, January Sun.

Fizzy Blood took to the stage at 9:15 pm and set the theme for the evening starting with, what I believe to be, their most mature song, I’m No Good. An extremely infectious, melodic tune, initially with a rock ‘n’ roll sound before it changes direction and builds to a climax of heavy guitars, strong bass and pounding, dense drums. The first song in, and with all four guitarists jumping around it was evident the stage was too small to contain their energy. All members of the band used regular eye contact to engage with the crowd and encouraged them to sing louder and dance faster. Benji is a great front-man and he got the crowd involved from the start and kept their attention throughout. His vocals were outstanding especially during I’m No Good and Black Sheep. Guitarist, Paul, was captivating to watch, always smiling he engaged with the audience with bouncy, energetic jumps whilst playing guitar and contributed considerably with harmonising vocals. Paul and Ciaran fed off each other’s energy on stage. Ciaran must be one of the most energetic bass players in a band. He couldn’t keep still and moved around the stage a lot but took centre stage for a large percentage of the gig. Already well known for his highly exaggerated facial expressions, with eyes and mouth wide open and emphasised body movements. Guitarist, Tim, created balance on the opposite side of the stage, with similar jumping and backing vocals to Paul. Jake’s drumming was phenomenal, he had similar exaggerated facial expressions to Ciaran. During the song, ADHD, a mosh pit developed with a handful of loyal fans. Not surprising because the bridge in that song is colossal, you could feel it pounding through your chest. After a few lesser known but equally raucous songs such as Haunted, Patience and Queen of Hearts the mosh pit increased to the tempo of Jake’s outstanding drumming to Summer of Luv. Singer, Benji, then informed the crowd of a new song, Pink Magic, while he hinted it could be their next single. Paul and Tim sang the harmonies which complimented Benji’s vocals and it was an instant hit with the audience. Next up was Black Sheep, which I personally had been looking forward to hearing live because I think it’s one of the songs that promotes Benji’s vocal range and I love the lyrics. “A dance with the devil and a chance to tell the tale, prescriptions from physicians will keep him on the rail. A worthless piece of shrapnel, among a murder of crows, keeping his enemy close”. A steady, thumping, progressive song but at the same time quite dark, menacing and moody. The atmosphere increased to the intro of Pawn, a much more punkier song and fast-paced throughout. Highly charged with its theme of frustration towards the music industry. Consequently, the mosh pit increased in size and velocity. Animals was next, a real crowd-pleaser with dedicated fans singing the lyrics back to the stage. Starting with a heavy bass-line, the song builds to a huge bridge which escalates to an aggressive climax. Their encore was January Sun, initially melodic with catchy lyrics, the fans knew all the words. Benji asked the eager crowd to crouch down as Ciaran and Jake continued to play bass and drums and Tim turned his microphone towards the fans. Benji then instructed the audience “You know when it fucking kicks in!” Everyone remained crouching while they sang “Dead, your body’s in my head, one-hundred needles to a thread, it’s just a game, always ends the same.” The crowd and band then simultaneously jumped into the air as they screamed back “A.M. the night has come and gone again, just like an old forgotten friend, no time for me, doing as we please”. Immense drumming and a manic frenzy of guitars concluded the song. A perfect finish to a fast-paced, relentless and energetic one-hour set.

We wait with great anticipation for Fizzy Blood’s debut album, but in the meantime, you can purchase their 2 EPs, Feast (released in 2015) and Summer of Luv (released in 2017) from their online store Fizzy Blood Official Store. The band have recently been given some well-deserved airplay on Huw Stephens – BBC Introducing. Their most recent song, ADHD, was written to describe guitarist, Paul’s experience of being diagnosed with attention deficit hyper-activity disorder when he was 21. The accompanying video features an unusual 360O virtual reality music feature (see link below).

This band, more than any other that I have seen recently, need to be awarded with the recognition they so rightly deserve. I hope all their hard work and dedication pays off, because it would be brilliant to see Fizzy Blood evolve over time and become much more successful.

Fizzy Blood Twitter Page

ADHD 360 degree video

Fizzy Blood – ADHD video:

Fizzy Blood – January Sun video:

Until the next adventure…


The Blinders: “We Invite You To Be The First To Witness The Beginning Of The New World”: The Lexington 21/02/2018


I first saw The Blinders last year when they supported Cabbage at Scala, London 29.06.2017. After only one song they had everyone in the venue’s undivided attention and people who had previously been drinking and chatting at the bar, jostled other fans to get nearer the stage. In-between songs the crowd were asking each other “who are these guys?”, and “do you know anything about them?” I was mesmerised by them instantly and knew It wouldn’t be the last time I would see them.

In November 2017, posters and social media advertised that The Blinders were headlining their own 3-week tour in February 2018. Obviously, I bought a ticket and was so pleased I did because by January, the London, Birmingham and Manchester gigs were already sold out.

So why all the interest and hype, what do The Blinders have to offer that we haven’t seen or heard before?

The three-piece band from Doncaster, Yorkshire are now based in Manchester. They are: Thomas Haywood (vocals and guitar), Charlie McGough (bass guitar) and Matt Neale (drums and percussion). Their style is extremely feisty punk with pounding drums but with psychedelic guitar riffs. The band are proud of their Yorkshire, working-class roots and have a political message to put across in almost every one of their songs. “Fuck the Tories” is etched in marker pen across Thomas’s guitar and “Revolt” across Charlie’s. Their musical influences include: Nick Cave, Iggy Pop and The Fall. Most of all, this band stand out because they are overflowing in youthful confidence, edginess and angst but with a passion that is evident at their shows and in their music. The Blinders give you 100% and you know they would give you more, if they could.


The Lexington, a bar located on the corner of Pentonville Road and Penton Street, Islington, London has a live music room upstairs, with great acoustics and a capacity of two-hundred. I arrived to join a queue for the box office and cloakroom at the base of the stairs. Climbing the stairs, passing the many layers of  posters of previous artists that had played the venue over the years. The room was packed, but I soon realised the majority of people were congregating around the bar on the upper platform. The support band, The Americas had just finished their set. I decided to weave my way through the fans to get a good view of the stage, but at the same time giving the front centre area a wide berth, for the mosh pit I knew would ensue. I got a space at the front, just to left of Thomas’s microphone stand, so I was extremely happy I had managed to get so near.  Numerous photographers made up the front row of the crowd. There was a real buzz about the place as the anticipation built whilst waiting for The Blinders to take to the stage. I think everyone in the room, myself included, realised how special the night was going to be and knew this would be a unique opportunity to see them perform in a small capacity venue.

First to appear on stage was Matt and he set the scene for the gig with an extremely focused stare towards the centre of the crowd as he pounded out the intro to the first song, Gotta Get Through. He was followed by bass player, Charlie who stood confidently in the middle of the stage, looking like a much younger Nick Cave. Thomas appeared to a welcoming cheer from the crowd, dressed all in black with matching black, eye make-up/warpaint smeared downwards towards his cheeks. Each member of the band had their own individual presence on stage. The song was a perfect choice to start the gig and the audience was hooked after the opening verse and frenzied psychedelic guitar playing. Next up was my favourite song, Swine. Thomas cleverly incorporated some words from Willy Wonka’s ‘Wonkatania‘ into the lyrics. He bellowed, “There’s no earthly way of knowing, which direction we are going,
There’s no knowing where we’re rowing, or which way the river is a-flowing,
Is it raining? Is it snowing? Is a hurricane a-blowing? 
Not a speck of light is showing, so the danger must be growing,
Are the fires of hell a-glowing? Is the grisly reaper mowing?
Yes! The danger must be growing, for the rowers keep on rowing
And they’re certainly not showing, any signs that they are slowing!” Before continuing seamlessly into the chant of the verse from Swine…”There is no hope, there is no hope, there is no hope…He’s old and his skin is cold, and he walks on down the hall. Brutus. Do they discuss it in a fire under the tree? Do they discuss it in a cave under the sea? What do we see? What do we know?…We know that broken shadows are filling Westminster Hall, do our voices count at all? Broken shadows fill Westminster Hall, does my vote count at all? …There is no hope, there is no hope, there is no hope, they don’t need your hope!” The audience chanted back the words to the stage “I need, I need, I need not to be, I need not to be, the man on the street” and a mosh pit developed at the front of the crowd. Other crowd-pleasers were ICB Blues, Brave New World and of course the crowd favourite, Ramona Flowers. The pace changed when they played Hate Song, a song I wasn’t familiar with but loved straight away. The tempo was slow to begin with and gradually started to build and build. I must admit, I was mesmerised the whole song by Matt’s drumming. It was the type that’s so powerful and consistent it pounded through your chest and secured you to the floor, it was immense! The Blinders left the stage briefly before returning for their encore. Charlie taking centre stage, almost standing in the audience and Thomas removing his top and changing his earlier guitar to a blue, Vox teardrop. The encore was Ramona Flowers, which the crowd had been waiting for all night and Brutus/ Berlin Wall concluded the fast-paced one hour set.

Set List: Gotta Get Through, Swine (Spoken Word), L’etat C’est Moi, Free The Slave, I Can’t Breathe Blues (ICB Blues), Where No Man Comes, Brave New World, Hate Song, Murder At The Ballet / Rat In A Case, Ramona Flowers, Et Tu, Brutus / Berlin Wall

It was inevitable The Blinders were going to be snapped up and numerous record companies competed to sign them. They are currently recording their debut album after been signed recently by Liverpool-based record Label, Modernsky UK.

You can catch them again at London Borderline on the 6th June, but be quick, tickets are already on sale. In their own words on their Facebook page “Get tha’ sen there!”

The Blinders (@The BlindersBand) Twitter



Until the next adventure…

Motionless In White: “You Gotta Be Loud, You Gotta Be Rude, So The World Can Hear You…Turn It Up, Turn It Up Now”: Koko, London 25/01/2018

Nicholas Ruffilo, guitarist for Bad Omens, posted on his twitter page that he loved the new track, Why, from Cane Hill’s recently released album, Too Far Gone. After listening to the track and subsequently the whole album; Cane Hill had immediately gained another fan. So, thanks Nick for your suggestion; I love to hear other people’s recommendations of new music, especially from bands that I already follow. The twitter post was dated 21st January and after researching the band, I was ecstatic to discover they were performing in London in 4 days’ time, supporting Motionless in White. Huge disappointment ensued, when I realized the gig had already sold out. To cut a long story short, I eventually managed to buy a ticket from another fan who could no longer make it on the day. I then had a crash course learning all Cane Hill’s back catalogue, so I would be word perfect for the gig.

On a very cold and dark Thursday evening, I walked from the bus stop near King’s Cross Station, to join the queue of fans lined up outside Koko, a venue in Camden, North London, with a capacity of 1,500. The queue snaked around the barriers outside the sold-out venue along Crowndale Road and stretched back along Camden High Street. I joined the queue around 19:15 next to The Cobden Arms pub and rapidly the line of waiting fans extended to the corner of Plender Street. Everyone was dressed all in black, including me. I was intrigued to see how people expressed themselves creatively with black and white heavy make-up, face and ear piercings and an array of hoodies and t-shirts displaying every metal band you could think of. People commented that they had never seen such a long queue outside this venue before, even passers-by asked with curiosity, who was playing that night. The queue went down extremely slowly, and we stood outside in disappointment as we heard the first support band start up inside.

Finally, inside the venue, but frustrated that I only heard the last song by support band, Ice Nine Kills. Apparently, they performed a half hour set. The venue, was heaving, as you would expect from a sold-out event, with everyone tactfully looking for a good vantage point. The venue was originally a theatre, so the layout consists of 4 tiers, originally the stalls, dress circle, upper circle and the gods but no longer with any seating. I decided to work my way up to the upper circle because downstairs was packed. I achieved a good view, even though I was high up from the stage, the sound quality was still amazing from there.

Cane Hill took to a stage of red strobe lights starting with Time Bomb from their 2015 self-titled, 7-track EP. Elijah Witt’s vocals “Tick, tick, tick, tick, BOOM!” indicating a countdown to an explosion of nu-metalcore that would set the pace for the evening. They were immediately addictive to watch and hear, with all band members putting in 100% effort to please the crowd. Bassist, Ryan Henriquez with his hypnotising hair swinging and singer Elijah Witt, striding across every inch of the stage whilst communicating with the crowd. Lord of Flies was an instant crowd-pleaser with Witt bellowing “give me more” and “let’s open this pit up” as a mosh pit developed in-front of the band. Ugly Model Mannequin and 10 Cents were absolutely fucking insane. Then followed the title track of their new album, Too Far Gone, only just released over a week ago. The audience could tell Cane Hill were proud to share this new song. Witt singing “cause we tripped, and we tripped until our brains fell in the ditch, and we never found a fix” and the crowd chanting back to the stage “cause we don’t exist!”. At the end of the track, a guy standing near me shouted towards the stage “God, I feel good…I’ve been waiting for that song all fucking night!”. Fountain of Youth concluded their 45-minute set, with Cane Hill promising they would return to London in the future, to headline their own tour.

The New Orleans 4-piece have evolved and captured their unique sound of heavy but refined, memorable, and catchy songs that certainly won the London crowd over.

Set List: Time Bomb, Lord of Flies, It Follows, True Love, Ugly Model Mannequin, Erased, 10 cents, Too Far Gone, Cream Pie, Fountain of Youth.


Next up were headliners, Motionless in White who appeared on a blue stage surrounded by a magnitude of white strobe lights. A row of steps either side of the stage provided a raised platform for rhythm guitarist, Ricky “Horror” Olsen and bassist, Devin “Ghost” Sola with drummer, Vinny Mauro, centre stage. Vocalist, Chris “Motionless” Cerulli and lead guitarist, Ryan Sitkowski were flanked by two females with long, dark hair, in mini PVC dresses, wearing rodent ears and carrying whips to the first song, Rats. Cerulli shouted at the crowd “London are you fucking ready?”, and a chorus of high-pitched screams followed. I must admit, I was at a disadvantage because I only knew songs from the band’s latest album, but its part of being at a gig when you feed off other people’s energy and enthusiasm. A theatrical start to their set and Cerulli telling the audience that they would go home blind with the amount of lights they had on stage that night. He was wearing a long black top which fastened at the shoulder, black PVC jeans and metallic goth boots. He looked striking with heavy, black, eye make-up and black, slick-backed, undercut hair. The second song was Reincarnate, which the crowd sang back word for word…including me. There was plenty of hair-flicking and headbanging to Necessary Evil from the band and audience alike. With the lyrics “Imma have my cake and fucking eat you too” shouted by the crowd back towards the stage. Outstanding double-drumming during songs such as Soft, was phenomenal, to a point I was mesmerised by Mauro’s drumming and nothing else. Cerulli was joined by the two females again during Loud, this time they were dressed as cheerleaders in purple and green. Swapping their pom-poms mid-song for boards displaying the word “Dead”. The atmosphere appeared to increase during this song and A-M-E-R-I-C-A. The evening then reached its climatic peak when the band played Immaculate Misconception with the crowd yelling the famous lyrics, “Open your mind before your mouth or come and fucking get us!”. The encore, Eternally Yours, concluded Motionless in White’s flawless, 90-minute set.

Set List: Rats, Reincarnate, Necessary Evil, Soft, Abigail, 570, London in Terror, Hatefuck, Voices, Loud (Fuck It), A-M-E-R-I-C-A, Dead As Fuck, Not My Type: Dead As Fuck 2, Immaculate Misconception, Devil’s Night, Eternally Yours.

Cane Hill’s second studio album, Too Far Gone released 19th January 2018 on their home label, Rise Records. www.wearecanehill.com

Motionless in White’s fourth album, Graveyard Shift released 5th May 2017 on Roadrunner Records. www.motionlessinwhite.net


       Until the next adventure…

My Review of 2017

New Years Eve – a nostalgic time and perfect for reflecting on the past year’s events.

It’s been an eventful year for me. I moved house, city and job all in the same day; which was exciting and stressful but definitely the best decision I have made. So I now frequent the many live music venues of London instead of the ones in Leeds. I admit, I miss the Brudenell Social Club and still think it’s the best music venue in the country. I visit whenever I return to North Yorkshire to stay with friends and family.  As for London, my favourite venues so far are, The Lexington in Islington and Boston Music Room near Tufnell Park.

With all the upheaval of moving, settling in to my flat and new job (oh, and not having any internet for 2 months) sadly, my music blogs have fallen by the wayside. Which in hindsight is such a shame because I have been to see some amazing bands this year (see my eclectic list below).

TOY x 5, Crows x 4, Dead Pretties x 4, Yala! Records Events x 4, Idles x 3, Cabbage x 2, Little Barrie x 2, The Maccabees x 2, The Proper Ornaments x 2, Abattoir Blues, Bad Omens, Blackwaters, The BlindersBo Ningen, Duke Garwood, Fizzy Blood, Girl BandJosefin Ohrn & The Liberation, The Mystery JetsNadine ShahOctober Drift, Rose Elinor Dougall, The SherlocksSpring King, TemplesTen TonnesToothless, Traams, The Wytches and Yak! 

There have been many highlights this year, but I have decided to reduce the extensive list to my top three.

  1. The Maccabees – Farewell Shows at Alexandra Palace 30.06.2017 and 01.07.2017

After following The Maccabees for twelve years, I had very mixed emotions about seeing them on their last tour. I was overwhelmed with honour and pride to see them perform to a sold out audience at Ally Pally two nights running (actually 3 nights but I could only go to 2). Everyone in the room knew they were witnessing something very special that they would remember for a lifetime. I experienced every emotion, but mostly happiness and the atmosphere was electric with the audience chanting back the lyrics to every song word perfect.  The full set lasted over 2 hours starting with Wall Of Arms and finishing with Pelican with all the hits and favourites in-between. Red, paper confetti showered the excited crowd during Something Like Happiness and again for the finale, Pelican. With guest appearances including Jamie T, The Mystery Jets, Mumford and Sons amongst many others; The Maccabees had the best send off they could ever have wished for. Truly magical!

2.  Spring King – Fluffer Pit Party at Hackney Warehouse 15.09.2017

For those of you who don’t know about Fluffer Pit Parties, they are held by the cult underground record label, Fluffer Records. No stage, the bands set up in the middle of the floor (pit) and play. The pit venue is announced on the day with extremely limited tickets bought in advance. I had seen Spring King before when they played at Leeds Wardrobe last year. They are such a happy, bouncy, energetic 4 piece band. The atmosphere was brilliant, I literally didn’t want the gig to end. Spring King played for over an hour and finished with their hit, Rectifier. The crowd swarmed the band like ants in the pit and nearly smothered Tarek and his drum kit, but he managed to continue singing and drumming. A unique gig!

3. Little Barrie at Rough Trade Records East 22.07.2017

I managed to see Little Barrie twice this year. Firstly at Dreamland Festival in Margate in May and then at their album launch/signing at Rough Trade Records. The band performed in-store and played some tracks from their new album. After a 45 minute set there was an opportunity to meet the band and have your CD purchase signed. About six weeks after this event I was extremely shocked and devastated to hear about the sudden death of drummer, Virgil Howe on the 12th September. At the Yala! Records September event, Felix White asked for suggestions of albums released in 2017. He promised to play one album from 2017 in full at the beginning of his event, I suggested Little Barrie, Death Express. I was so pleased it was chosen and it was a fitting tribute to an amazing drummer, Virgil Howe. R.I.P.


As for my recommendations of bands to see in 2018, my top three are:

  1. Bad Omens

I saw Bad Omens for the first time in October this year at Boston Music Room,  just on the strength of one song, The Worst In Me. Since seeing them perform live, I have played their debut self-titled album nearly everyday and I have everything crossed that I will see them on tour again next year. They have so much energy, charisma and potential. When I have researched the band, I have discovered that they are all extremely talented and creative including songwriting and producing and two band members are professional tattooers. I really find it hard to understand why Bad Omens are not more famous…yet! At the time of writing this blog, their single, The Worst In Me has just clocked up 3.5 million views on YouTube, which is well deserved and just proves they are growing in popularity. If you like your metalcore, you will love them. My favourite band right now by far. Mind and eardrums blown!


2. The Blinders

Doncaster band, The Blinders were supporting Cabbage earlier in the year and I managed to see them at Scala, London. It’s very rare when a band creates so much of a buzz that the crowd are asking each other “who are theses guys” “do you know where they’re from”. I knew immediately it was going to be a great set. The singer/guitarist had so much attitude, I was mesmerised by him. The band looked good and sounded great, I was totally blown away. Looking forward to seeing them in February this time headlining their own tour. Just brilliant!


3. Fizzy Blood

I saw Fizzy Blood in April as part of the 2Q Festival in Derby. It was the first time I’d ever seen or heard of the band to be honest, but I was hooked straight away. A  5-piece band from Leeds with lots of attitude. I have followed their steady progress since April and they have done a few festivals this year and supported While She Sleeps and Dinosaur Pile-up. Nice to see they are headlining their own tour early in the new year…looking forward to seeing them in Camden in February.

Happy New Year Everyone! xx

Until the next adventure…




Crows – And the Flood Came So Much Stronger Than Before: Yala! Records Event 3 at Bermondsey Social Club 27.01.2017


Set List Included:Unwelcome Light, Goodnight Evelyn, Hang Me High, Whisper, Pray, Moonstruck, The Itch and Crawling.

Felix White (Ex-Maccabees) and Morad Khokar recently founded Yala! Records. A London-based record label that also features exclusive club nights to provide a platform and promote new and unsigned bands who write their own material.

Friday 27th January 2017 was the 3rd Yala! club night to be held at Bermondsey Social Club. The exclusive event, limited to only 120 tickets, had long since sold out with Crows headlining with support from Abattoir Blues and special guest DJ’s.

On entering a small unassuming metal doorway in Almond Road, under the railway arches of Bermondsey you are transformed into an extremely friendly and modern venue. Directly in front of you is a stage and projector screen that dominate the far wall. A DJ booth and bar are located to the right of the stage and out through the back on the left is a cosy, covered garden area with seating and outdoor heaters.

Will White (Felix’s younger brother) provided the introductory DJ set followed by various members of The Magic Gang. The main DJ set for the evening after the bands had performed, was provided by 3 members of Foals, Yannis, Edwin and Jack.

Abattoir Blues a 5-piece from Brighton took to the stage around 9 o’clock and, as their name suggests, played an extremely heavy and gutsy half hour set.

Crows a London-based 4 -piece with singer James Cox, bass guitarist Jith Amara, guitarist Steve Goddard and drummer Laurence Rushworth. Crows emerged on the stage through a hazy but heavy blue fog that emitted from the smoke machine. The air was moody, atmospheric and dark, much like Crows music -style. Immediately front-man, James, had the audience captivated with his wide-eyed stares and aggressive gestures. He was so engaging and magnetic that unfortunately you didn’t notice the rest of the band because all your focus was on the singer. However, I am going to see the band again this weekend and I am going to make a concerted effort to observe the input from other band members. The strong bass-line to ‘Hang Me High’ and ‘The Itch’, the complex guitar in ‘Whisper’ and ‘Pray’ and the prominent drums in ‘Goodnight Evelyn’ for example.

The stage became too claustrophobic for singer, James, as he wound the microphone lead tightly around his hands and stepped down into the crowd during the track “Hang Me High”. He weaved his way slowly through the spectators, he stared wildly whilst still singing, and made his way to the back of the fearful audience before slowly returning to the stage area. After much stage-diving from James and crowd-surfing from fans the front members of the audience were becoming wild. When the band played “Whisper”, rival fans fought over the spare microphone (me included) to join in with the lyrics, “I,I,I,I, I’m breathless, I,I,I,I, I’m shaking and I,I,I,I, I’m useless!”. At this point, James, was right in the thick of the manic crowd and the fans lifted and carried him above their shoulders like a hero. Shortly after this I came off worse in the mosh pit that had developed. Surviving most of the song, I then lost my balance and reeled backwards. I found myself looking up from the floor at a sea of legs that continuously kicked and stood on me, unaware I was there. Thankfully I was rescued by 2 guys who dragged me back up to join the rest of the crowd, the right way up. The band finished with their popular track “Crawling”. The singer loomed above everyone by starting the song, stood on top of the bar, before throwing himself down into the appreciative crowd, who then carried him off over their shoulders whilst making their way to the back of the room.

I had seen Crows perform a couple of times before, so to some degree I knew what to expect. However, for my friends, this was a new experience and they all agreed Crows were amazing. One even said “I want to see them again, now!”

My favourite tracks from the evening were ‘Goodnight Evelyn’ because its my favourite track from their Unwelcome Light E.P. and ‘Hang Me High’ because the lyrics are so dark and I love the bass-line.

Oh, and my tumble in the mosh pit…I found out the next day I had 3 cracked ribs. So, a very memorable gig for me! One of my friends said the singer should have a tattoo of my broken ribs on his ribs in honour of my dedication and sacrifice!

Crows “Unwelcome Light” 5 track E.P is available on vinyl on Telharmonium Records.

Until the next adventure…

Crows Yala! Records Session

Crows Instagram Page

Crows Twitter Page

TOY – A Heavenly Weekend. Heavenly Records weekend at Hebden Bridge Trades Club 21.01.2017

Dominic O’Dair, Tom Dougall and Maxim Barron


Set List: Cinema, I’m Still Believing, Kopter, Fast Silver, Fall Out of Love, Clouds That Cover the Sun, Dream Orchestrator, Heart Skips a Beat, Clear Shot, Motoring, Jungle Games, Dead and Gone, Another Dimension, Join the Dots.

TOY released their third album, “Clear Shot” in October last year on Heavenly Recordings. The London-based, independent record label, founded by Jeff Barrett, held a four-day festival in Hebden Bridge to showcase their current bands. The festival returned to the Trades Club after celebrating their 25th anniversary there in 2016. This years’ weekend event started on Thursday 19th January and finished on Sunday 22nd January. Headlining bands were, Duke Garwood, Hooton Tennis Club, TOY and Temples, respectively. Unfortunately I missed out on the full weekend tickets, as they sold out so quickly, but I managed to get hold of a ticket for Saturday night.

I was determined to see TOY again, after discovering them in November last year and been absolutely captivated by them and their music (see my review from November 2016 TOY at The Wardrobe, Leeds 26.11.2016). I purchased their album “Clear Shot” as I left the gig and played it to death (if that’s possible). After a couple of weeks I ordered their previous albums, “Toy” and “Join the Dots” – they had made that much of an impression, my only regret was that I hadn’t discovered them sooner.

Having never been to the Trades Club at Hebden Bridge before, I was pleasantly surprised by the venue. It had lots of character with a lovely welcoming atmosphere and all the staff were really friendly. The support band on Saturday were Britain,  a boy-girl duo from Preston who were very reminiscent of Cocteau Twins.

I was extremely lucky as I managed to get the best spot in the crowd…right in the middle and at the front. TOY started their set with the atmospheric song “Cinema” from their latest album. This was followed by “I’m Still Believing”, one of the band’s shorter and catchier songs. Straight away they had you hooked, as each band member put their heart and soul into the performance and each one added their character and personality. You just wish you could watch the gig five times over, so you could concentrate on just one band member each time, because you don’t know who to watch next. Singer/guitarist, Tom Dougall, was absolutely spellbinding to watch, he was so intriguing and mysterious, his vocals were gentle, yet strong and reassuring. He has a real presence. Dominic O’Dair, the lead guitarist, I could watch all day, he is a talented guitarist and so passionate about the music and his performance, a real perfectionist. Bass player, Maxim ‘Panda’ Barron has lots of personality and that really comes across in the gig. A couple of times he leapt from the stage and was enveloped by the appreciative crowd. The bass-line is so strong and prominent in many of the songs, for example “Join the Dots”. Keyboard-player, Max Oscarnold,  is the newest member of the band, his input gave the band a psychedelic edge but also fused the band together . Drummer, Charlie Salvidge, is one of the most energetic drummers I have seen in a while. His input, especially in the song “Dead and Gone” was incredible. The band collectively were so strong and well co-ordinated, melodic but also raw and moody, powered by adrenaline.

They played most tracks from their new album with some older songs such as the epic, “Kopter” and “Fall Out of Love”. My favourite songs of the night, “Dead and Gone”…Tom Dougall, I could listen to you singing this all night! “I’m Still Believing” because it is so catchy but matter of fact at the same time. “Join the Dots” simply because it is an amazing track and you just don’t want it to end. That’s the great thing about TOY, their music has been described as being confronted by a great wall of sound. Different effects, angles, arrangements and elements create a variety of layers and textures. In addition, when you hear them play, their music just builds and builds until it escalates into something far better than you imagined or anticipated.

Going to see this band is real escapism and that’s what I love about them the most. You don’t want the experience to end, whilst at the same time you realise how very special it is.

Heavenly Recordings…Believe In Magic!

Until the next adventure…

Heavenly Recordings Weekend 2017

TOY – Soundcloud

TOY – Twitter page


TOY at The Wardrobe, Leeds 26.11.2016


Perfect timing to see TOY play live after the recent release of their third album “Clear Shot” on Heavenly Recordings 28th October and recommended as Rough Trade Records album of the month in November.

After applying more eyeliner than usual, because I didn’t want to be outdone by the band, I was secretly disenchanted to discover that none of the band were wearing any that evening. However, singer/guitarist Tom Dougall, wore his trademark black roll-neck jumper, tight black jeans and Chelsea boots and the rest of the band dressed all in black; more than compensated for that. TOY have such a great timeless image.

I had been looking forward to seeing this band again so much and I certainly wasn’t disappointed. I was hooked immediately on their opening, title track “Clear Shot”. The sound was incredible, the hairs  literally stood up on my neck and arms, it was electric. Instantly, it was really noticeable that shoe-gazing Tom was flanked by two headbanging, energetic guitarists. On Tom’s right, lead guitarist Dominic O’Dair, who I found absolutely spellbinding to watch…that guy knows how to play a guitar and captivate the audience! Maxim ‘Panda’ Barron on Tom’s left, personality shone though, you could tell how much he enjoyed playing live. Occasionally he jumped down from the stage into a very appreciative young crowd, who surrounded him. Max Oscarnold, the most recent member of the band, energetically played the keyboards and Charlie Salvidge played the drums with lots of passion at the back of the set. TOY were absolutely faultless, they were so tight as a unit but each band member had their own aura and presence and all really linked together.

Their sound was immediately engaging, melodic but extremely infectious. Moody and atmospheric, switching between calm and chaos instantaneously. Tom with his gentle melancholia, matter-of-fact lyrics were complimented by Dominic’s outstandingly hypnotic, atmospheric layers of sound. The tonal variation between the band members was really nicely balanced out… you really couldn’t fault them. For each song, the music and anticipation just built and built and just when you thought it couldn’t get any better it increased another level to a dramatic crescendo. “Dream Ochestrator” concluded the breathtaking thirteen-track set.

This was the ultimate gig for me, going to see a guitar band that just blew you away. TOY were incredible and faultless and I really can’t wait to see them again.

They impressed me so much that evening that I bought their CD on the way out…I haven’t stopped listening to it. My favourite tracks are “I’m Still Believing” and “Dream Orchestrator”.

Until the next adventure…



Walking On Cars – Leeds Brudenell Club 23.11.2016

Walking On Cars last night at my favourite Yorkshire small venue, Leeds Brudenell Social Club.

Admittedly my knowledge of the band prior to the gig was limited, apart from hearing “Catch Me If You Can” played regularly on Radio X. However, I was intrigued to see them and I managed to get a ticket just before the 400 capacity venue sold out.

There had been a last minute venue alteration from Leeds Stylus. So, I now had a conflict of interest as Martin Stephenson & The Daintees were also playing in the adjacent Games Room.; but I have seen them numerous times over the years…sorry Martin!

Unfortunately, I only caught the last song from support Tor Miller; a singer/songwriter from Brooklyn. He had an amazing, distinctive, strong voice.

Walking On Cars started their set with “Tick Tock”. They are a five-piece alternative rock band from Co. Kerry, consisting of a singer/guitarist, drummer, bass guitarist, guitarist and keyboard player. The crowd, happily chanted back the lyrics in the direction of the stage.

Patrick Sheehy’s vocals are so similar to Charlie Simpson (Fightstar), I bet I’m not the first to use that comparison. He seems to sing with no effort at all and yet his voice defines the band and he sings with such emotion and feeling.

The bands stand alone song was definitely their encore track, “Speeding Car”, which everyone in the room sang along to word for word. It brought their happy, feel-good 70 minute set to a close.

Their album “Everything This Way” is available on Virgin EMI.


Until the next adventure…